Mary Morrissy, the curator of unawattersartist.wordpress.com, recounts how an essay by a ten-year-old schoolgirl introduced Una Watters to a national audience.
On March 6, in association with the Herstory project, the RTE Nationwide programme dedicated a show to Una Watters. Una’s niece, Sheila Smith, and her nephews Garry and Gerry Byrne, came to EPIC The Emigration Museum in Dublin armed with a selection of Una’s work that is still in the family’s possession and spoke to the show’s presenter, Blathnaid Ni Chofaigh
The Herstory project was founded in 2016 to showcase authentic female role models and to set up an education programme to foster interest in forgotten women achievers. In association with RTE Junior, Irish schoolchildren were asked to nominate their “lost” heroine.
Alexa Bauer (10) of Dublin 7 Educate Together school, nominated Una Watters for the project and wrote an accompanying essay on The Ladies Committee (1964) explaining her choice.
My great aunty Rosie (still alive) and my great-grandmother Molly were both good friends with . . . Una. In our living room, we have a painting by her called “The Ladies Committee” and my great-grandmother is apparently in it, as well as a catalogue of all her [Una’s] paintings. . .
Una Watters should be one of Ireland’s most famous painters, but has sadly faded away.
Alexa’s great-grandmother, Molly Smith, who owned a shop in Finglas close to where Una Watters lived, is the woman dressed in black in the centre of the painting.
Alexa was also interviewed by Nationwide and was present at the EPIC museum to celebrate the launch of the Herstory Festival 2020 which included a series of illuminations on the facade of the GPO to mark St Brigid’s Day Una’s stylised image, which was featured in the illuminations (below) was designed by National College of Art and Design student Rebecca Sodegrad.
Images, apart from The Ladies Committee, courtesy of Nationwide, RTE.